Not that I have anything against LL Cool J (he's great on NCIS: Los Angeles) but there isn't enough Benadryl in the house for me to sit through even two minutes of Justin Bieber, so I'm just scouring the web-site waiting for the list of nominees to be posted because, like, I rather doubt Hilary Hahn's going to be playing the 3rd Movement of Jennifer Higdon's Violin Concerto on the TV show (wouldn't that be great!).
Anyway, the winners will be announced on February 13th, 2011, at 8pm – about 73 days from now, if you're counting down.
(UPDATE: for the Winners, follow this link.)
Here are the nominees in the Classical Division: congratulations to everyone whose recording was nominated!
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95. Best Engineered Album, Classical – An Engineer's Award. (Artist names appear in parentheses.)
Daugherty: Metropolis Symphony; Deus Ex Machina -- Mark Donahue, John Hill & Dirk Sobotka, engineers (Giancarlo Guerrero & Nashville Symphony Orchestra) [Naxos]
Have You Ever Been...? -- Robert Friedrich, engineer (Turtle Island Quartet, Stefon Harris & Mike Marshall) [Telarc]
Mackey, Steven: Dreamhouse - David Frost, Tom Lazarus, Steven Mackey & Dirk Sobotka, engineers (Gil Rose, Rinde Eckert, Catch Electric Guitar Quartet, Synergy Vocals & Boston Modern Orchestra Project) [BMOP/sound]
Porter, Quincy: Complete Viola Works - Leslie Ann Jones, Kory Kruckenberg & David Sabee, engineers (Eliesha Nelson & John McLaughlin Williams) [Dorian Sono Luminus]
Vocabularies - Steve Miller, Allen Sides & Roger Treece, engineers (Bobby McFerrin) [Emarcy]
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96. Producer Of The Year, Classical – A Producer's Award. (Artist names appear in parentheses.)
Blanton Alspaugh
Corigliano: Violin Concerto 'The Red Violin' (Michael Ludwig, JoAnn Falletta & Buffalo Philharmonic Orchestra)
Daugherty: Metropolis Symphony; Deus Ex Machina (Giancarlo Guerrero & Nashville Symphony)
Rachmaninov: Symphony No. 2 (Leonard Slatkin & Detroit Symphony Orchestra)
Tower Of The Eight Winds - Music For Violin & Piano By Judith Shatin (Borup-Ernst Duo)
Tyberg: Symphony No. 3; Piano Trio (JoAnn Falletta & Buffalo Philharmonic Orchestra)
Wind Serenades (Gregory Wolynec & Gateway Chamber Ensemble)
David Frost
Britten's Orchestra (Michael Stern & Kansas City Symphony)
Chambers, Evan: The Old Burying Ground (Kenneth Kiesler & The University Of Michigan Symphony Orchestra)
Dorman, Avner: Concertos For Mandolin, Piccolo, Piano And Concerto Grosso (Andrew Cyr, Eliran Avni, Mindy Kaufman, Avi Avital & Metropolis Ensemble)
The 5 Browns In Hollywood (5 Browns)
Mackey, Steven: Dreamhouse (Gil Rose, Rinde Eckert, Catch Electric Guitar Quartet, Synergy Vocals & Boston Modern Orchestra Project)
Meeting Of The Spirits (Matt Haimovitz)
Two Roads To Exile (ARC Ensemble)
Tim Handley
Adams: Nixon In China (Marin Alsop, Tracy Dahl, Marc Heller, Thomas Hammons, Maria Kanyova, Robert Orth, Chen-Ye Yan, Opera Colorado Chorus & Colorado Symphony Orchestra)
Debussy: Le Martyre De Saint Sébastien (Jun Märkl & Orchestre National De Lyon)
Dohnányi: Variations On A Nursery Song (JoAnn Falletta, Eldar Nebolsin & Buffalo Philharmonic Orchestra)
Harris: Symphonies Nos. 5 & 6 (Marin Alsop & Bournemouth Symphony Orchestra)
Hubay: Violin Concertos Nos. 1 And 2 (Chloë Hanslip, Andrew Mogrelia & Bournemouth Symphony Orchestra)
Messiaen: Poèmes Pour Mi (Anne Schwanewilms, Jun Märkl & Orchestre National De Lyon)
Piazzolla: Sinfonía Buenos Aires (Daniel Binelli, Tianwa Yang, Giancarlo Guerro & Nashville Symphony Orchestra)
Ries: Works For Flute And Piano (Uwe Grodd & Matteo Napoli)
Roussel: Symphony No. 1 (Stéphane Denève & Royal Scottish National Orchestra)
Shchedrin: Concertos For Orchestra Nos. 4 & 5 (Kirill Karabits & Bournemouth Symphony Orchestra)
Stamitz: Flute Concertos (Robert Aitken, Donatas Katkus & St. Christopher Chamber Orchestra)
Strauss, R: Josephs-Legende; Rosenkavalier; Die Frau Ohne Schatten (Orchestral Suites) (JoAnn Falletta & Buffalo Philharmonic Orchestra)
Marina A. Ledin, Victor Ledin
Brubeck: Songs Of Praise (Lynne Morrow, Richard Grant, Quartet San Francisco & The Pacific Mozart Ensemble)
Cascade Of Roses (Janice Weber)
Gnattali: Solo & Chamber Works For Guitar (Marc Regnier)
If I Were A Bird (Michael Lewin)
Kletzki: Piano Concerto (Joseph Banowetz, Thomas Sanderling & Russian Philharmonic Orchestra)
Porter, Quincy: Complete Viola Works (Eliesha Nelson & John McLaughlin Williams)
Rubinstein: Piano Music (1852-1894) (Joseph Banowetz)
Rubinstein: Piano Music (1871-1890) (Joseph Banowetz)
20th Century Harp Sonatas (Sarah Schuster Ericsson)
James Mallinson
Mahler: Symphony No. 2 (Bernard Haitink, Duain Wolfe, Miah Persson, Christianne Stotijn, Chicago Symphony Chorus & Chicago Symphony Orchestra)
Prokofiev: Romeo And Juliet (Valery Gergiev & London Symphony Orchestra)
Shchedrin: The Enchanted Wanderer (Valery Gergiev, Evgeny Akimov, Sergei Aleksashkin, Kristina Kapustinskaya, Mariinsky Chorus & Mariinsky Orchestra)
Strauss, R: Ein Heldenleben; Webern: Im Sommerwind (Bernard Haitink & Chicago Symphony Orchestra)
Strauss, R: Eine Alpensinfonie (Bernard Haitink & London Symphony Orchestra)
Tchaikovsky: Rococo Variations; Prokofiev: Sinfonia Concertante (Gautier Capuçon, Valery Gergiev & Orchestra Of The Mariinsky Theatre)
Wagner: Parsifal (Valery Gergiev, Gary Lehman, Violeta Urmana, René Pape, Evgeny Nikitin, Alexei Tanovitski, Nikolai Putilin, Mariinsky Chorus & Mariinsky Orchestra)
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97. Best Classical Album – Award to the Artist(s) and to the Album Producer(s) if other than the Artist.
Bruckner: Symphonies Nos. 3 & 4 - Mariss Jansons, conductor; Everett Porter, producer; Everett Porter, mastering engineer (Royal Concertgebouw Orchestra) [RCO Live]
Daugherty: Metropolis Symphony; Deus Ex Machina - Giancarlo Guerrero, conductor; Blanton Alspaugh, producer; Mark Donahue, John Hill & Dirk Sobotka, engineers/mixers (Terrence Wilson; Nashville Symphony Orchestra) [Naxos]
Mackey, Steven: Dreamhouse - Gil Rose, conductor; Rinde Eckert; Catch Electric Guitar Quartet; David Frost, producer; David Frost, Tom Lazarus, Steven Mackey & Dirk Sobotka, engineers/mixers; Silas Brown, mastering engineer (Boston Modern Orchestra Project; Synergy Vocals) [BMOP/sound]
Sacrificium - Giovanni Antonini, conductor; Cecilia Bartoli; Arend Prohmann, producer; Philip Siney, engineer/mixer (Il Giardino Armonico) [Decca]
Verdi: Requiem - Riccardo Muti, conductor; Duain Wolfe, chorus master; Christopher Alder, producer; David Frost, Tom Lazarus & Christopher Willis, engineers/mixers (Ildar Abdrazakov, Olga Borodina, Barbara Frittoli & Mario Zeffiri; Chicago Symphony Orchestra; Chicago Symphony Chorus) [CSO Resound]
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98. Best Orchestral Performance – Award to the Conductor and to the Orchestra.
Bruckner: Symphonies Nos. 3 & 4 - Mariss Jansons, conductor (Royal Concertgebouw Orchestra) [RCO Live]
Daugherty: Metropolis Symphony; Deus Ex Machina - Giancarlo Guerrero, conductor (Terrence Wilson; Nashville Symphony) [Naxos]
Mackey, Steven: Dreamhouse - Gil Rose, conductor; Rinde Eckert (Catch Electric Guitar Quartet; Boston Modern Orchestra Project; Synergy Vocals) [BMOP/sound]
Salieri: Overtures & Stage Music - Thomas Fey, conductor (Mannheimer Mozartorchester) [Haenssler Classic]
Stravinsky: Pulcinella; Symphony In Three Movements; Four Études - Pierre Boulez, conductor (Roxana Constantinescu, Kyle Ketelsen & Nicholas Phan; Chicago Symphony Orchestra) [CSO Resound]
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99. Best Opera Recording – Award to the Conductor, Album Producer(s) and Principal Soloists.
Berg: Lulu - Antonio Pappano, conductor; Agneta Eichenholz, Jennifer Larmore, Klaus Florian Vogt & Michael Volle; David Groves, producer (Orchestra Of The Royal Opera House) [Opus Arte]
Hasse: Marc' Antonio E Cleopatra - Matthew Dirst, conductor; Jamie Barton & Ava Pine; Keith Weber, producer (Ars Lyrica Houston) [Dorian Sono Luminus]
Saariaho: L'Amour De Loin - Kent Nagano, conductor; Daniel Belcher, Ekaterina Lekhina & Marie-Ange Todorovitch; Martin Sauer, producer (Deutsches Symphonie-Orchester Berlin; Rundfunkchor Berlin) [Harmonia Mundi]
Shchedrin: The Enchanted Wanderer - Valery Gergiev, conductor; Evgeny Akimov, Sergei Aleksashkin & Kristina Kapustinskaya; James Mallinson, producer (Orchestra Of The Mariinsky Theatre; Chorus Of The Mariinsky Theatre) [Mariinsky]
Sullivan: Ivanhoe - David Lloyd-Jones, conductor; Neal Davies, Geraldine McGreevy, James Rutherford, Toby Spence & Janice Watson; Brian Pidgeon, producer (BBC National Orchestra Of Wales; Adrian Partington Singers) [Chandos]
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100. Best Choral Performance – Award to the Choral Conductor, and to the Orchestra Conductor if an Orchestra is on the recording, and to the Choral Director or Chorus Master if applicable.
Bach: Cantatas - Nikolaus Harnoncourt, conductor; Erwin Ortner, chorus master (Bernarda Fink, Gerald Finley, Christian Gerhaher, Werner Güra, Julia Kleiter, Christine Schäfer, Anton Scharinger & Kurt Streit; Concentus Musicau Wien; Arnold Schoenberg Chor) [Deutsche Harmonia Mundi]
Baltic Runes - Paul Hillier, conductor (Estonian Philharmonic Chamber Choir) [Harmonia Mundi]
Haydn: The Creation - René Jacobs, conductor; Hans-Christoph Rademann, choir director (Julia Kleiter, Maximilian Schmitt & Johannes Weisser; Freiburger Barockorchester; RIAS Kammerchor) [Harmonia Mundi]
Martin: Golgotha - Daniel Reuss, conductor (Judith Gauthier, Marianne Beate Kielland, Adrian Thompson, Mattijs Van De Woerd & Konstantin Wolff; Estonian National Symphony Orchestra; Cappella Amsterdam & Estonian Philharmonic Chamber Choir) [Harmonia Mundi]
Verdi: Requiem - Riccardo Muti, conductor; Duain Wolfe, chorus master (Ildar Abdrazakov, Olga Borodina, Barbara Frittoli & Mario Zeffiri; Chicago Symphony Orchestra; Chicago Symphony Chorus) [CSO Resound]
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101. Best Instrumental Soloist(s) Performance (with Orchestra) – Award to the Instrumental Soloist(s) and to the Conductor.
Daugherty: Deus Ex Machina - Giancarlo Guerrero, conductor; Terrence Wilson (Nashville Symphony) Track from: Daugherty: Metropolis Symphony [Naxos]
Dorman, Avner: Mandolin Concerto - Andrew Cyr, conductor; Avi Avital (Metropolis Ensemble) Track from: Dorman, Avner: Mandolin Concerto; Piccolo Concerto; Concerto Grosso; Piano Concerto [Naxos]
Kletzki: Piano Concerto In D Minor, Op. 22 - Thomas Sanderling, conductor; Joseph Banowetz (Russian Philharmonic Orchestra) Track from: Kletzki: Piano Concerto [Naxos]
Mozart: Piano Concertos Nos. 23 & 24 - Mitsuko Uchida (The Cleveland Orchestra) [Decca]
Porter, Quincy: Concerto For Viola & Orchestra - John McLaughlin Williams, conductor; Eliesha Nelson (Northwest Sinfonia) Track from: Porter, Quincy: Complete Viola Works [Dorian Sono Luminus]
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102. Best Instrumental Soloist Performance (without Orchestra) – Award to the Instrumental Soloist.
Chopin: The Nocturnes - Nelson Freire [Decca]
Hamelin: Études - Marc-André Hamelin [Hyperion Records]
Messiaen: Livre Du Saint-Sacrement - Paul Jacobs [Naxos]
Paganini: 24 Caprices - Julia Fischer [Decca]
20th Century Harp Sonatas - Sarah Schuster Ericsson [Dorian Sono Luminus]
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103. Best Chamber Music Performance – Award to the Artists.
Beethoven: Complete Sonatas For Violin & Piano - Isabelle Faust & Alexander Melnikov [Harmonia Mundi]
Gnattali: Solo & Chamber Works For Guitar - Marc Regnier (Tacy Edwards, Natalia Khoma & Marco Sartor) [Dorian Sono Luminus]
Ligeti: String Quartets Nos. 1 & 2 - Parker Quartet [Naxos]
Porter, Quincy: Complete Viola Works - Eliesha Nelson & John McLaughlin Williams (Douglas Rioth; Northwest Sinfonia) [Dorian Sono Luminus]
Schoenberg: String Quartets Nos. 3 & 4 - Fred Sherry String Quartet (Christopher Oldfather & Rolf Schulte) [Naxos]
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104. Best Small Ensemble Performance – Award to the Ensemble (and to the Conductor.)
Ceremony And Devotion - Music For The Tudors - Harry Christophers, conductor; The Sixteen [CORO]
Dinastia Borja - Jordi Savall, conductor; Hespèrion XXI & La Capella Reial De Catalunya (Pascal Bertin, Daniele Carnovich, Lior Elmalich, Montserrat Figueras, Driss El Maloumi, Marc Mauillon, Lluís Vilamajó & Furio Zanasi; Pascal Bertin, Daniele Carnovich, Josep Piera & Francisco Rojas) [Alia Vox]
Trondheimsolistene - In Folk Style - Øyvind Gimse & Geir Inge Lotsberg, conductors (Emilia Amper & Gjermund Larsen; TrondheimSolistene) [2L (Lindberg Lyd)]
Victoria: Lamentations Of Jeremiah - Peter Phillips, conductor; The Tallis Scholars [Gimell]
Whitacre, Eric: Choral Music - Noel Edison, conductor; Elora Festival Singers (Carol Bauman & Leslie De'Ath) [Naxos]
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105. Best Classical Vocal Performance – Award to the Vocal Soloist(s).
Ombre De Mon Amant - French Baroque Arias - Anne Sofie Von Otter (William Christie; Les Arts Florissants) [Deutsche Grammophon]
Sacrificium - Cecilia Bartoli (Giovanni Antonini; Il Giardino Armonico) [Decca]
Turina: Canto A Sevilla - Lucia Duchonová (Celso Antunes; NDR Radiophilharmonie) [Haenssler Classic]
Vivaldi: Opera Arias - Pyrotechnics - Vivica Genaux (Fabio Biondi; Europa Galante) [Virgin Classics]
Wagner: Wesendonck-Lieder - Measha Brueggergosman (Franz Welser-Möst; The Cleveland Orchestra) Track from: Wagner: Wesendonck-Lieder; Preludes & Overtures [Deutsche Grammophon]
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106. Best Classical Contemporary Composition – A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
Daugherty, Michael: Deus Ex Machina - Michael Daugherty (Giancarlo Guerrero) Track from: Daugherty: Metropolis Symphony [Naxos]
Henze, Hans Werner: Appassionatamente Plus - Hans Werner Henze (Stefan Soltesz) Track from: Appassionatamente Plus Lulu-Suite [Cybele Records]
Lindberg, Magnus: Graffiti - Magnus Lindberg (Sakari Oramo) Track from: Lindberg: Graffiti; Seht Die Sonne [Ondine]
Pärt, Arvo: Symphony No. 4 - Arvo Pärt (Esa-Pekka Salonen) Track from: Pärt: Symphony No. 4 [ECM New Series]
Shchedrin, Rodion Konstantinovich: The Enchanted Wanderer - Rodion Konstantinovich Shchedrin (Valery Gergiev) Track from: Shchedrin: The Enchanted Wanderer [Mariinsky]
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107. Best Classical Crossover Album -- Award to the Artist(s) and/or to the Conductor.
Meeting Of The Spirits - Matt Haimovitz (Amaryllis Jarczyk, Jan Jarczyk, John McLaughlin, Dominic Painchaud, Leanna Rutt & Matt Wilson) [Oxingale Records]
Off The Map - The Silk Road Ensemble [World Village]
Roots - My Life, My Song - Jessye Norman (Ira Coleman, Steve Johns, Mike Lovatt, Mark Markham & Martin Williams) [Sony Classical]
Tin, Christopher: Calling All Dawns - Lucas Richman, conductor (Sussan Deyhim, Lia, Kaori Omura, Dulce Pontes, Jia Ruhan, Aoi Tada & Frederica von Stade; Anonymous 4 & Soweto Gospel Choir; Royal Philharmonic Orchestra) [Tin Works Publishing]
Vocabularies - Bobby McFerrin [Emarcy/Universal]
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While I'm happy for those that were nominated, I am especially bummed to see Jennifer Higdon's Violin Concerto with Hilary Hahn absent from this list. Oh well... It's a great work and a very fine recording -- it's a winner in my book... for what that's worth...
Anyway, there they are -- tune in Feb 13th, 2011, to find out who the Grammy Winners are!
- Dick Strawser
Dick, I'm sure you remembered this by now, but just in case: Jennifer Higdon won a Grammy last year for that piece. She took home the Grammy for Best Contemporary Composition.
ReplyDeleteCheers,
Fred Child
Hi, Fred - actually, the recording of the Violin Concerto came out in September of 2010 and wasn't eligible for the Grammy Awards last year. On January 31st, 2010, she took home the Grammy for Best Contemporary Composition for her *Percussion* Concerto, not the Violin Concerto.
ReplyDeleteI would agree with you, Dick, if the Higdon violin concerto were the only one on the recording. Unfortunately, Hilary Hahn also included her rendition of the Tchaikovsky, which (to my ears, and probably to many others' as well) is extremely clean, polished, note-perfect--and almost completely soulless.
ReplyDeleteI'm not fond of her performance of the Tchaikovsky, either, but on the other hand it has no bearing what else is on the disc - Hilary Hahn could be nominated for her performance of just the Higdon and Jennifer Higdon could be nominated for Best Contemporary Composition without any input about the concerto Tchaikovsky composed. And I can't tell you how many performances I didn't care for (soulless or otherwise) have been nominated or won Grammys in the past.
ReplyDeleteThat is the risk in recording too unique of an interpretation of a piece like the Tchaikovsky. I'm sure most of Hilary Hahn's audience have heard numerous Tchaikovsky recordings before (I have probably a dozen different recordings of the piece of my ipod). Certainly, it can be tough straying from the norm, despite whatever good intentions she had about the recording.
ReplyDelete